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Anthony Van Dyck Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
Anthony Van Dyck clade monet mk265 portait of masam gaudibet 1886 pars es musee d orsay
Painting ID:: 59032
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Anthony Van Dyck pierre auguste renoir mk265 alice and elisabeth cahen d anvers 1881 museu de arte de sao paolo assis chateaubriand.
Painting ID:: 59033
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Anthony Van Dyck remembrance of things past mk265 the reign of nostalgis.
Painting ID:: 59034
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Anthony Van Dyck bernard partridge mk265 desirable aliens caricature published in punch january 1906 p,75.
Painting ID:: 59035
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Anthony Van Dyck john singer sargent mk265 portrat of madame x 1883-1884 new york the metropolitan museum of art.
Painting ID:: 59036
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Anthony Van Dyck john singer sargent mk265 lady agnew of lochnaw 1892 edinburgh national gallery of scotand.
Painting ID:: 59037
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Anthony Van Dyck john singer sargent mk265 the acheson sisters 1902 devonshire collection the duke of devonshire and the trustees of the chatsworth settlement.
Painting ID:: 59038
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Anthony Van Dyck johnsinger sargent mk265 the family of the duke of marlborough. 1904-1905 collection of his grace the duke of mar lborough blenheim palace oxfordshire.
Painting ID:: 59039
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Anthony Van Dyck blenheim palace mk265 the facade.
Painting ID:: 59040
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Anthony Van Dyck philip de laszlo mk265 the duc de guiche private collection.
Painting ID:: 59043
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Anthony Van Dyck philip de laszlo mk265 portrait of viscountess castlereagh future marchioness of londonderry 1913 mount stewart londonderry collection.
Painting ID:: 59047
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Anthony Van Dyck preceding pages mk265 john costa the glen walker sisters, c 1904 privte collection courtesy sothebys london.
Painting ID:: 59055
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Anthony Van Dyck sir john lavery mk265 spring 1903 paris musee dorsay
Painting ID:: 59057
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Anthony Van Dyck jacques emile blanche mk265 marcel proust 1892 paris musee d orsay.
Painting ID:: 59058
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Anthony Van Dyck jacques emile blanche mk265 princess sturdza paris 1912 private colle collection.
Painting ID:: 59059
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Anthony Van Dyck valentin serov mk265 portait of count felix sumarokov elston with his dog 1903 st petersburg russian museum.
Painting ID:: 59061
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Anthony Van Dyck joaquin sorolla y bastida mk265 mrs ira nelson morris and her children,1911, new york the hispanic society of america.
Painting ID:: 59062
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Anthony Van Dyck paul cesar helleu mk265 marthe letellier sitting on a sofa holding a fan c 1895 minneapolis minneapolis institute of art.
Painting ID:: 59063
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Anthony Van Dyck paul cesar helleu mk265 madame helleu adjusting one of her rings c 1900 bayonne musee bonnat
Painting ID:: 59064
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Anthony Van Dyck paul cesar helleu mk265 portait of comtesse henri greffulhe nee elisaneth de caraman chmay 1891 paris private collection.
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
